Home Fire review: a brave novel about our troubled times (4/5 ****)


HOME FIRE
By “Kamila Shamsie”

Blurb: After Isma, the elder daughter of a dead jihadi, meets Eamonn, the disappointing son of a strongly British politician, they soon get to know what insecurities they both have about their fathers. From there starts a tale that leads Eamonn to meet Isma’s sister, Aneeka, which quickly becomes a love-story, but one with grave consequences as her twin brother, Parvaiz, a jihadi-to-be, gets involved with them. Where would this relationship between a British family with a terrorist name-tag and a political one who sides more with Britain than they do with religion, end up? Home Fire is this telling of a timely and thrilling story which bravely talks about the major conflicting themes of our times such as religion, dual-nationality, terrorism, patriotism and love.

It comes as a headlining news when a novel, especially one published in a British country, talks about such controversial themes. The task of a novel is merely to offer a lovely tale with mesmerizing literature for the readers to have a good time, not to get political by talking about the global issues. For it is the politicians who decide and run the show of our world, and they do not like to read novels, particularly not the ones that talks about their actions and their impacts. But every once in a while, comes a brave novel that has to raise a voice about the dire situations of our times, while also doing justice to the art-form by telling it through profoundly thrilling tale.

Shamsie has been very courageous and bluntly relevant in her latest novel about the topics that she would be most familiar with being a Pakistani-British. She has told here a story that has something to say about every biases and misjudgments that the Muslims around the world has to face in the name of terrorism and Islamophobia, mostly the ones living in Western countries with dual-nationalities. There is no second guessing as to whether this novel is political or not, because it plainly is, but what is more exciting is that it is a really good one. The plot and its relevance to our disturbed and fear-stricken times is both a thrilling and thought-provoking read. By the end of the novel, you are sure to be left with some questions about your own opinions regarding these global, yet very personal, issues.

While it is decidedly and boldly political, the story of these two families are presented in nuanced ways which leaves some questions for readers to answer themselves. On one side, we deal with Isma’s family, who is directly affected by the extreme terrorism going on in the world, having a jihadi-dead father. Their story shows the struggles they have to go through on the accounts of their father’s single decision of going out to kill in the name of saving a Belief; a Belief which is relative to individual perspectives. And when you are a Paki family living in Britain, then you have yourselves a life full of normed biasness and offensive remarks everywhere. On the other side, we have a family grappling with the same issues, but as a politician. Here, as Karamat Lone, you have be a patriot first, and everything else later – even being a father. And as the son of this politician who doesn’t seem to follow his footsteps, you are left to defend and explain your father’s every word and action, regardless of whether you approve of them or not; even knowing that you would never be able to win your father’s respect. As the story unfolds between these families, it becomes harder to take sides because you are being told this one controversial story from different aspects where every party has their own reasons to be right.

However, despite of its nuanced storytelling, there are parts in this novel that are clear and to the point about what it is trying to say. Shamsie’s simple prose, her wittiness and play of humor with a sharp sting of bitter truth makes this novel consistently engaging and debatable. Aneeka’s choices has a young Muslim girl around intimacy and religious bounds are both fascinating to read and inviting for a spicy debate. I wish I had someone to talk about some of her traditionally-influenced, modern choices around the strictly religious codes. Then, there are also instances where you read and notice deeply the biasness and insult, she has to go through being a dual-nationalist, Muslim girl living in Britain because of every provocative news, every other day.

While it shifts it focus from being a feel-good novel to a political one, Home Fire definitely makes up for it by being a timely and relevant novel about our troubled times. And what is not affected, regardless of its nature, is the story of the novel: it is thrilling, engaging, thought-provoking and nail biting. Not to mention, it has one of the wildest ending I can remember in a long while. At the end, there is hardly any room left to be critical about this novel, but still there were moments where the story seemed either unrealistic in relation to it ever happening or have happened, or sometimes too real-like to be called novel. Quite ironic, isn’t it?     

An Excerpt:
“For girls, becoming women was inevitability; for boys, becoming men was ambition.”

With its award of winning the Women Prize for fiction, it becomes even easier for me to recommend it, whether it is to the readers from Pakistan, or the ones from UK – or especially to the dual-nationalists.


My praise for the novel:
Both a thrilling and contemporarily important novel; Shamsie is timely and bold in ‘Home Fire’.
Ratings: 4/5****

A review by: Ejaz Hussain
February 29, 2020 (Leap Day)